Fantasy grounds 2 unable to force load for players
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Previewĭirected by : Marianne Copithorne and Dave Horak
Written by emerging Edmonton playwright Ben Stevens, this is a separate, ticketed performance that runs at different times than shows on the main stage. The other production is But Hark, A Voice, which sees a group of bumbling Shakespearean characters (the rude mechanicals in A Midsummer Night’s Dream) rove throughout the festival site, staging hilarious scenes for patrons.
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One is a free puppet show to help both youth and adults alike better understand the plays. Thou Art Here, an alternative Shakespeare company that brings the Bard’s work and adaptations to unexpected places, has two themed events at this year’s festival. There are pub nights featuring beer and fresh pretzels, wine pairing events, a barbecue feast and a high tea.
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The festival is a casual affair if you can’t sit in one of the Heritage amphitheatre’s 1,100 seats, remember blankets and picnics on the grass can be more fun, plus you can snooze. Those modern touches are part of what continues to make the Freewill Shakespeare Festival accessible to the audience, which has been the goal of the festival since its inception. “It’s really nice to see more (women in Hamlet) than just Ophelia and Gertrude,” she says. Hamlet’s friends Rosencrantz and Horatio are played as female characters, because Copithorne imagines that a younger Hamlet living in a contemporary time would have had female friends. Hamlet has its own gender-bending elements. “He does such a brilliant job he’s a thrill to watch.” “It has a different perspective, and it’s fantastic to look at Hamlet through the eyes of Hunter Cardinal,” says Copithorne. Copithorne, however, has cast Hunter Cardinal, 25, in the role of a modern-day prince. Though Shakespeare wrote him as a college student, he is most often played by a man of about 40, as there is a sense it takes gravitas born of experience to play the role. Ryan Parker Photo by Ryan Parker / PostmediaĬopithorne also chose to make a substantial change to the character of Hamlet - this year’s tragedy. The Freewill Shakespeare Festival’s presentation of Hamlet stars Hunter Cardinal in the title role. The two leads in Comedy of Errors (who are male characters) are played by women with drawn-on moustaches - Belinda Cornish and Kristi Hansen - and there are a lot of women dressed in male drag, “which is super fun to watch,” says Copithorne. She has roughly the same number of each gender in the cast, rather than tilting toward male, as is common with Shakespeare productions. This season, influenced in part by present-day controversies over the lack of diversity in entertainment, Copithorne decided to address the historical inequity in casting with Shakespeare.
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Of course, the problem with used tires is that they tend to be full of standing water, so the set was inadvertently a virulent breeding ground for mosquitoes. MacDonald recalls one set crafted for 12th Night from 1,200 used tires. Scrounging was the lifeblood of the company. The players passed the hat at the end of the show to pay themselves actors made $200 on a good week.
#Fantasy grounds 2 unable to force load for players professional#
The troupe, including stalwarts still on the local scene such as Annette Loiselle and Troy O’Donnell, went into debt to hire a professional director. “So we decided to launch something to showcase ourselves and contribute to the theatre community of Edmonton.”Ĭomedy of Errors was the first show, recalls MacDonald, now based in Kamloops as artistic director of Western Canada Theatre. “Most of it came out of the fact that we’d been a pretty good class, full of vim and energy, and most theatre students have trouble finding work right out of school,” James MacDonald says of those early days. I looked through the threads on 3.3.8 but couldn't find any similar reports.This advertisement has not loaded yet, but your article continues below. The one's who couldn't see the partially masked map could see the skullport map and artwork without issue.īased on all this and the fact that the issue is recent, I'm guessing it has something to do with the newest version of Fantasy Grounds. The issue still persisted for about half of the players. I loaded up only Dungeon of the Mad Mage module and shared a few artwork images, one map of skullport unmasked and one map of level 1 with 50% mask. Today, I created a test campaign to try and narrow down the issue.
The map was partially masked, but of course not fully masked. Yesterday, we ran into an issue where half of the players couldn't see the map at all. We're all very familiar with Fantasy grounds, so I don't think we've run into any rookie mistakes. Our group has been running Dragon Heist and then Dungeon of the Mad Mage for almost a year now. Hi, I hope someone can point me in the right direction to fix this issue.